By Ben Queen
Offers storyboards, electronic and pencil sketches, and personality reviews from the lively movie ''Cars 2.''
Title: The paintings of vehicles 2
Author: Queen, Ben/ Paik, Karen (CON)/ Lasseter, John (FRW)
Publisher: Chronicle Books Llc
Publication Date: 2011/06/22
Number of Pages: 160
Binding style: HARDCOVER
Library of Congress: bl2011017750
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Lights learn, Sharon Calahan, electronic paint over set render, 2010. Bob Pauley, Pencil, 2010. LIGHTNING McQUEEN Chip Foose, Pencil/Ink, 2010. “John sought after McQueen to have a brand new layout for this movie, one who may make him stand out even opposed to the subtle picture layout and bodywork of the opposite international Grand Prix racers. Flames are one of many imperative markers of yank hot-rod styling and gave the look of the fitting motif for McQueen’s pageant glance. McQueen’s autos 2 paint schemes and physique transformations, together with the extra vintage glance we see in the beginning of the movie in Radiator Springs, took an entire yr to advance, and drew at the abilities of a large number of participants, from John himself to open air hot-rod clothier and fabricator Chip Foose. ” —JAY SHUSTER Jay Shuster, electronic, 2009. Craig Foster, electronic, 2010. Ellen Moon Lee, electronic, 2010. FRANCESCO Jay Shuster, electronic, 2009. Jay Shuster, electronic over sculpt, Jerome Ranft, Clay, 2009. “Francesco is open-wheeled, absolutely sexy—the actor who walks round with no his blouse on for all time, surrounded via exposure people who are all swooning over him. So we’re fairly celebrating the concept you spot his ‘musculature’—his suspension and his wheels. We’re celebrating how modern and quick and exuberant he's. ” —SHAWN KRAUSE, supervising animator version Packet, Jay Shuster, electronic, 2009. John Lee, Pencil/Digital, 2008. Storyboard, Tony Rosenast, electronic, 2010. Storyboard, Bobby Rubio, electronic, 2010. WGP RACER layout Craig Foster, Ellen Moon Lee, Bob Pauley, Jay Shuster, Digital/Pen, 2010 (top). Jay Shuster, electronic, 2009 (botton left). Jay Shuster, electronic, 2009 (bottom right). Jay Shuster, electronic, 2010 (top left). John Lee, Pencil, 2009 (top right). Jay Shuster, electronic, 2010 (middle). Jay Shuster, electronic, 2009 (bottom left). Craig Foster, electronic, 2010 (bottom middle). “It was once a enjoyable problem to create distinctive, simply identifiable appears to be like for every of the several rivals within the race. Their photos are rooted within the glance and magnificence of the general global Grand Prix layout language, yet we additionally attempted to include recognizable visible parts from their domestic international locations. ” —CRAIG FOSTER, pix artist personality layout through Jay Shuster with Jack Chang, John Lee & furnish Alexander. photographs by way of Craig Foster with Bert Berry & Ellen Moon Lee. Modeling/Rigging by means of Jared Fong, Seth Freeman, Levi Harrison, Michael Honsel, Tanja Krampfert, Garpi Lo, Alonso Martinez, Sal Melluso, Mark Piretti, Andrew Schmidt, Kevin Singleton, Ian Steplowski, Joseph Suen, Audrey Wong. Shading/Paint through Trent Crow, Masha Ellsworth, Sarah Fowler, Jamie Frye, Patrick Guenette, Jonathan Hoffman, Michael Kilgore, Ana Lacaze, Jake Merrell, Ling Tu, invoice Zahn, 2009–2010. overseas Poster snap shots, Craig Foster, John Lee, Marty Baumann, Ellen Moon Lee, Cassandra Smolcic & Jennifer Chang, 2009–2010. TOKYO lights learn, Sharon Calahan, electronic paint over set render, 2010. Nat McLaughlin, electronic, 2009. The sequences within the 3 international Grand Prix destinations (Tokyo, the fictitious Italian city of Porto Corsa, and London, respectively) may be obvious as microcosms of the movie as a complete: they juggle a myriad of units, aid a couple of characters and tale strands, and feature, as their centerpiece, fascinating racing.